You can use various logical operations of addition or subtraction of objects to the logo was similar to the original: Mesh > Booleans > Difference. Then squeezing the entire object to the desired height. Squeezing the required height of the logo.Ĭombine all the letters of the text, so that they become one object. Now do the amount of vector form: Edit Mesh > Extrude. Now we must hide our vector logo not prevent us: Display Hide > Hide Geometry > NURBS Curves, as the need for it anymore. Increase or decrease the Counts and other parameters to produce the desired shape, and then click Apply or Planar Trim. Select the following settings form Counts then increment the counter if necessary, so you get the effect on the rounded edge of your logo. I installed Counts - one to reduce unnecessary plane form, but it will depend on the shape of your logo. Set the following settings and click Apply. Go: Surfaces > Planar and click on the small square on the right of the menu Planar. Open the Autodesk Maya: Create > and click on the box next to the menu > Adobe (R) Illustrator (R) Object. It was pointed out that the version of Adobe Illustrator should be 8 (Adobe Illustrator CS2).
1 - select our text, 2 - Object > Expand.Īfter that, save it. If you have text in the logo, it must be converted to curves. Open or draw vector logo in Adobe Illustrator. Our task is to get any vector 3D logo model which will be ready for using in animation (left - source vector logo, on the right - 3D model of the logo). Lesson is dedicated to converting the vector logo from Illustrator to Maya, and then create on its base a 3D model, as well as a bonus - a lesson for mowing the edges - Beveling The Edges. Thomas joined me and Dave over on ShopTalk episode #497 if you’re interested in hearing straight from Thomas about not just this, but the whole world of capable web apps.This is the first lesson of 3D at our online animation school based on Odessa Animation Studio. My just-out-of-college aesthetic is gonna live on people! With SVGcode, I just stand on the shoulders of a command line tool called Potrace by Peter Selinger that I have converted to Web Assembly, so it can be used in a Web app. Ĭredit where credit is due: I didn’t invent this. It uses the File System Access API, the Async Clipboard API, the File Handling API, and Window Controls Overlay customization. I think it’s so cool both in what it does (super useful!) but also in the approach (so impressive what web apps can do these days!):
#CONVERT RASTER TO VECTOR ILLUSTRATOR CS2 SOFTWARE#
SVGcode does exactly this, for freeĪdobe software costs money though, so what other options are out there? I imagine they are out there, but now there is a wonderfully single-purpose web app called SVGcode for it by Thomas Steiner! He’s written about it in a couple of places: These days they apparently call it Image Trace.
I used to make business cards for my folk band and they all had the look of a photograph-gone-vector. I remember when Adobe Illustrator CS2 dropped in 2005 it had a feature called “Live Trace” and I totally made it my aesthetic.
#CONVERT RASTER TO VECTOR ILLUSTRATOR CS2 FREE#
(I don’t wanna delay the lede here, there is a free online tool for it now called SVGcode.) Or tools within design software can help. What do you do? You could trace it yourself in some kind of design software. Say you have a bitmap graphic - like a JPG, PNG, or GIF - and you wish it was vector, like SVG.
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